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Beroemde schilderijen van 1443

Een lijst van beroemde kunstwerken gemaakt in het jaar 1443

San Marco altaarstuk


The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder, and was completed sometime between 1438 and 1443. In addition to the main panel depicting the enthroned Virgin and Child surrounded by Angels and Saints, there were 9 predella panels accompanying it, narrating the legend of the patron saints, Saints Cosmas and Damian. [1] Only the main panel and two predella panels actually remain in the Convent of San Marco, Florence, Italy, today. The San Marco Altarpiece is known as one of the best early Renaissance paintings for its employment of metaphor and perspective, Trompe l'oeil, and the intertwining of Dominican religious themes and symbols with contemporary, political messages.

Portret van een prinses (Pisanello)


Portrait of Princess is a tempera painting on panel attributed to the Italian Late-Gothic master Pisanello. It was probably executed between 1435 and 1449 and is also known as Portrait of a Princess of the House of Este. It is firmly attributed to Pisanello on stylistic grounds and because he stayed in Ferrara in the period, where he also finished a portrait and a celebrative medal of Marquis Leonello d'Este.

Miraflores altaarstuk


The Miraflores Altarpiece (or Triptych of the Virgin, or The Altar of Our Lady or the Mary Altarpiece) is a c. 1442-5 oil-on-oak wood panel altarpiece by the Early Netherlandish painter Rogier van der Weyden, in the Gemäldegalerie, Berlin since 1850. [1] The three panels are each 71 x 43 cm and show, from left to right, a portrait of the Holy Family, a Pietà (the Virgin cradling the dead body of Jesus) and Christ's appearance to Mary—a chronological reading of the birth, death and resurrection of Jesus, [2] with Mary the focus of both wings. The altarpiece examines Mary's relationship with Christ at different stagesof his life. It is notable for its use of colour, distinguished by its use of whites, reds and blues, and use of line—notably the line of Christ's body in the central panel—and, typically of van der Weyden, its emotional impact. [3]

Kroning van de Maagd (Filippo Lippi)


De kroning van de Maagd (in Italiaanse Incoronazione Maringhi) is een schilderij van de kroning van de Maagd door de Italiaanse Renaissance master Filippo Lippi, in de Uffizi, Florence.

Annunciatie met twee geknield donoren (Lippi)


De aankondiging is een schilderij van de Italiaanse Renaissance schilder Filippo Lippi. Datering aan van 1440-45, is het gehuisvest in de Galleria Nazionale d'Arte Antica van Palazzo Barberini, Rome.

Annunciatie (Lippi, München)


Het beeldt de Maagd nederig aanvaarden van dat haar rol als moeder van Jezus, met een hand op haar borst, terwijl de duif, symbool van de Heilige Geest, is gegeven aan haar. De engel is knielend naast haar, ook met een hand op zijn borst een groet teken. De scène is ingelijst in een portiek openen naar een nauwe tuin.

Aix Annunciatie


The Aix Annunciation is a painting attributed to the Barthélemy d'Eyck or the so-called Master of the Annunciation of Aix-en-Provance. Executed in 1443-1445, it was originally placed in the Cathédrale Saint-Sauveur, Aix-en-Provence, southern France. Now it is divided between the Église de la Madeleine in the same city (central panel with the Annunciation), the Museum Boijmans Van Beuningen (part of the left panel with the prophet Isaiah) at Rotterdam, the Rijksmuseum of Amsterdam (upper part of the left panel), while the right panel is in the Royal Museum of Fine Arts of Belgium in Brussels. Side panels are painted on both sides, showing Christ on the right and Mary Magdalene on the left (the upper part, on reverse of the Amsterdam panel, does not survive); together they used to form a Noli me tangere scene when the triptych was folded shut.

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